Showing posts with label The Shining. Show all posts
Showing posts with label The Shining. Show all posts

Sunday, 3 November 2013

Doctor Sleep - thoroughly satisfying horror novel

RIP VIII is over.  Another year of fabulous dark supernatural reading.  Altogether I read 8 books for the challenge, though I haven't had time to review them all.  The big one I haven't reviewed is Doctor Sleep.  And this is solely because I finished reading it two weeks ago, and even though I managed to read and review The Bone People after, otherwise it is the busy time of year for me - two birthdays and Hallowe'en in the space of three days. Getting ready for all of it always takes more time than I think it will!
                                                                                    

So, for the past two weeks, I've been holding my thoughts about Doctor Sleep in my head, turning over how good this horror novel is.  I really, really liked it.  It is the only sequel that could have been written to The Shining.  My one caveat is that it is does not have as many genuine heart-stopping thrills as I would have liked it - it seemed gentler on Danny than The Overlook was.  Is this because he is an adult now, and has made peace with seeing ghosts?    At the beginning of Doctor Sleep,  3 years after The Shining has  ended, one of the spirits comes back to haunt him - it is chilling, especially when Wendy sees the traces for the first time.  Will he be haunted forever?  Can one escape one's gifts?  What happens when you don't try to escape it, and embrace it?  As  a 5 year old, Danny could only survive the horror at The Overlook Hotel.  As a young child, the new other child character in Doctor Sleep, Abra Stone, is gifted far beyond Danny and even as a baby things happened around her - telekinesis, until she is able to speak, and later control her emotions.  She is the star of Doctor Sleep, but Danny Torrance is the heart.

 Danny Torrance is an interesting character.  He is an alcoholic, just like his father before him. And he is aware enough to know that he is like his father, except where Jack would hurt (and enjoy hurting in the mean part of himself) his family, Danny does not.  It is not part of his character, never has been.  Danny drinks to avoid feeling and seeing the spirits around him.  Even though his gift fades with age, he still has it.  So when he does an act that is mean - when he does something that causes such guilt in him that he can't escape it - he decides to change.  To make up for what he's done.  And he goes clean, joins AA.   This part does take a bit of getting through, as we go through the steps with him.  Hang in there.  It's important, and important for Dan's character growth.  It doesn't last very long, either.  But he has to get sane for the story to move forward.  Eventually he does, and the story then moves at a fast pace.

Dan eventually finds a use for his gift, a way of being there to help others cross over to the other side when their time has come.  It's very beautiful and gentle and melancholic, the way Danny himself is.  He has never recovered from The Overlook, though he has gone on from it.  That's the way it should be.  He encountered such horror there that no one would fully recover.  So the AA bit makes sense, especially as his family role model is his father, Jack, the alcoholic.  If you remember  Jack Torrance, this is what he also has, the gift, only not so much as Dan, and this is what he is jealous of.  Who can escape their legacy?  Alcoholism is tied up with what happened at the Overlook Hotel so much that Dan could either become an alcoholic, or a teetotaler.  There would be no in-between for him.

     But this is a horror novel, and the horror soon does arrive.  There are spooky moments, many kinds.  One of the eeriest (and based on a true story, except that one is about a dog who does this) is the cat that predicts who is going to die in the seniors' home where Dan Torrance ends up working at.  The cat works 'with' Dan in this, so that soon the nurses on shift, call Dan when they see the cat sitting on the bed of  a person, because they know the patient is about to die. Dan can take his turn sitting with them.  They start to call him Doctor Death as a way of accepting that he is helping easing their passage. The way of death, and who is not fearful at that moment? The name is not used in  the wicked way we would think Doctor Death could be used.  So Danny has become - continues - to be good, a good, decent man, good in the way that as a child he was a good child.  He has odd things occur around him and meets others who have the gift of "the shining", also.  All this happens after he stops drinking, which is key.   He has to be open to life in order to find his role, his place, to find good things happening in it.

The main event that is strange is that someone starts to write on a marker board he has in his room.  "Hello", the first time.  And in this way, infrequently, they communicate, until one day evil comes to take her.  Her name is Abra, and she is a little girl in the next town from where Danny settles. And she is a child gifted with the shining so strongly that she makes Danny look like he has only a little. Extraordinary.  Imagine what The Overlook Hotel would have done with her!!!

Because that is the key, of course.  The Overlook Hotel burned down when Jack Torrance forgot about the boiler that winter night long ago. But what happened to the evil lurking there?  An evil place doesn't start at the first floor, or the walls of the house.  It starts below, in the ground, too.  Evil attracts evil, and the people attracted to the campground that replaces part of the Overlook Hotel are not very nice people at all.  Oh no. Middle-aged RV'ing retirees, who feed off the bright spirits of the children who have the shining. Now that's horrific.

I won't say anymore, because Doctor Sleep is a thoroughly good, deeply satisfying horror novel. There is one story of pure horror in it, an image that haunts me, that makes the horror in this book all too real.  I almost wish there had been more of this, that we get to see a little more what happens to a few of the other children taken, so that we have time to experience the horror of what will happen to Abra when they come for her. And to think about the horror that all children experience when they are taken, because that is the real horror this story is based in.  Not that I want to experience it or even think about it, but Doctor Sleep gives us readers a way to understand a little the horror that is experienced.  It is too easy to look away, to not think about it, to forget that this really happens, and much, much too often.  This is a recurring theme in Stephen King's work, that people, especially adults, have a way of forgetting what they don't want to see or know.  In Doctor Sleep it's not as if no one notices children disappearing, but because the killers are careful to space it out, and they do it along highways and small towns, moving on quickly so that they can't be traced, just another bunch of campers on the road seeing America, no one notices them.  The banal face of evil, in trailer camp clothing, polyester, masquerading as satisfied older people.  Stealing children.  It's really quite a horrific way to envision who is taking the children.  Because no one sees or can trace them.  And there is no peace for the families, ever, in real life.  In the novel,  Dan and his friend struggle to reveal what they know without being accused of being the killers - always a threat when one is psychic.

Abra however is so gifted, that she is able to see True Knot, as the killers call themselves, while they are looking for children with the shining.  And I won't say any more, except to say that this is such a satisfying novel of horror, and resolution.  For all the characters, Dan especially.  What he couldn't do as a child, he can do as an adult, which is choose to fight against evil, not just witness it as he did as a young child.  And Abra herself is old enough as a 12 year old to choose to fight them (or not to). Doctor Sleep is about choices, all kinds of choices people make, every day, in big ways and little ways, and how our fate finds us in the end.  I do wonder what Abra will become as an adult?  She has so much power, surely she was made for big things? 

The Shining  is an experience of horror - and a fabulous ghost story.  It's from the point of view of Danny as a 5 year old, and this is part of what makes it so horrific and so accessible for readers.  Doctor Sleep is about adult themes, family and heritage of all kinds, as well as about one of the enduring themes of horror in our day:  the kids who vanish, the milk carton kids we used to call them. Except they are real, and there are far, far too many children who have disappeared and whose fate is unknown.  It's almost overwhelming how many children have disappeared over the past 40 years. Doctor Sleep is a novel about what happened to some of these kids, and it will really make you think about going into any rest station along a highway.  And really hang on tight to every child you have, all the time.

It's also about trust, and taking chances, and facing up to horror and trying to stop it.  It's refreshing to read a story that values the good in people, and cares about the horror of the victims fate.  This is no slash and gash novel, this is thoughtful horror fiction, a darned good story, and interesting.  Lots to think about, which is why it's taken me a little while to do this review.

 As a reader who loves The Shining, it's been a really satisfying journey with Dan Torrance in Doctor Sleep.  Easily my favourite duology in horror writing, and one I will return to again and again.  And yes, do read The Shining first, every time.  Doctor Sleep is built on what happens in The Shining.  I reread The Shining in September, review here.

The Shining is one of the seminal horror novels for me, along with The Haunting of Hill House by Shirley Jackson.  Almost everything I read in horror is compared to these two.  Doctor Sleep is a muted kind of horror, with only glimpses of the kind of horror that made The Shining so great as a horror novel.  The Shining is better in so many ways for pure scare moments for me, and yet Doctor Sleep is kinder, sweeter, and I like it more because of this.  They are both very good horror novels, among the best.

I am really happy Stephen King continued the story of Danny Torrance. 

Other reviews of Doctor Sleep:
The Well-Read Redhead (some spoilers)
Chrisbookarama
Bibliophile By the Sea
Emily Barton over at her library blog, Pequea Valley Reader's Blog

Monday, 30 September 2013

RIP update: Two excellent haunted house novels, and one determined WW2 ghost

                                                                 

  I have been very bad at doing reviews this year, and as part of my motto to start being a good blogger again, I'm starting today with catching up with what I've been reading for RIP:  Awesome haunted house and ghost stories. Ghost stories of all kinds,  all of which want one thing: to possess the teller of the tale.  *shiver*  It's been wonderful reading so far.  So, for your reading contemplation, are the reviews of Hell House, The Shining, The Greatcoat,  all read in September. 

I've also devised a chill meter, to help me rate the scariness of what I'm reading.  Hair rising on my arms, jumping at noises while I read, and seeing shadows out of the corner of my eyes, and most of all, not being able to read it while I am alone in the house.  All these factor in to my chill-o-meter.

  Hell House is one of Richard Matheson's unsung masterpieces.  Unsung because unless you read horror, you won't have heard of this book.  And yet it is as good as The Shining, or The Haunting of Hill House, though in a different way.  And it's a shame it's not better known, because Hell House is as frightening a ghost story as any book you will read.  I have seen the movie made from Hell House, Legend of Hell House, and it is equally as frightening, though some of the interior characterizations are missing, of course.  I find that reading about atmosphere and ghostly settings is as frightening to me, as seeing it visually.  It is very difficult to create a ghost movie that is realistic and effective on everyone, which is interesting when  you are trying to show a good friend what frightens you, and half way through, they say, "Is anything going to happen?  Because this is kind of boring."  Real story, it happened to me once!  So, I know that even if I find Hell House and The Shining deeply frightening, it won't be for everyone.  If you like ghosts, if you like evil ghosts who want to possess the character just because they can, if you like hauntings where there really is hauntings and it's not just in people's minds, then both Hell House and The Shining are for you.

Ok, to Hell House itself.  The Belasco mansion is a house built in 1919 in Maine, by a wealthy millionaire who early on showed a habit of being able to bend people to his will.  It was built in a remote location in Maine, near a village as the only means of human habitation, tucked away in the wilderness. At the mansion, parties and soirees and long holiday stays were held, and as the years wore on, people came and stayed.  What went on in the mansion was never spoken about publicly, as Belasco, the owner, ensured the silence of anyone who attended.  Many people never left.  What went on?   Belasco set about creating a private world where people could do what they wanted to, with no repercussions.  It's chilling to think about, and Matheson uses this fear of what people would do if they could, to great effect in Hell House.  After Belasco's death, the house sits in silence, until a psychic investigator brings a group in to investigate.  Rumours have abounded about hauntings and smells and noises, and deaths, and excesses in the parties - unexplained deaths, suggestions of murders, orgies, human decadence and degradation. Slowly it gets the name of Hell House, as the supreme haunted house. 

    Out of the original 9 people psychic party  members in 1940, only one survivor:  Benjamin Fischer.  And as the novel Hell House opens, another group of psychic investigators is going in, twenty years later. Ben Fischer is one of them.  Even he isn't sure why he is returning, since he barely made it out alive the first time.  As the novel progresses, though, he realizes that he has to act, he has to do something to stop it all, to save who he can.  Miss Tanner, who runs a spiritualist church and is a recognized eco-plasm medium, is the other.  She senses things, feels things, and does seances.   Dr and Mrs Barrett round out the four people.  Dr Barrett wants to prove that psychic phenomena doesn't  mean that ghosts exist, that there is a rational explanation for everything. He does not believe in ghosts.  He is the person running the investigation, and has all the latest psychic equipment for measuring phenomena that exists. Mrs Barrett doesn't want to leave her husband alone, although the truth is, she doesn't do well on her own without him.  And one September day they arrive for a one week stay at Belasco House.  Only two will make it out alive.

     Hell House is  about a house that is haunted, and about the exploration of possession and evil and how little defenses there are against such things.  Richard Matheson has created a novel that is disturbing and frightening - but not in a bad way, we don't see the debasement and debauchery that went on in the house, we only hear about it when the characters talk about the history. Only one scene really is graphic from the earlier time period when the house re-enacts some of what happened in it.  There is some Christianity religion involved, which would have made this book racy in the way The Excorcist was, and The Omen, back when they came out in the 1970's. Hell House was written in 1971, so it is similar in tone to them, where religious symbols being debased is shocking and part of the horror.  It is still sickening to read about now, though I find the shock value is gone in the time between the 1970's and now.   The malevolence of the spirits is terrifying. And yet, this isn't a novel where everyone dies, there is a resolution to it, and a satisfying one.  It is a very good horror novel, and an excellent novel about hauntings and how dangerous they are.   It has more than enough spookiness and atmosphere for me.  It's one I can't read (or watch) by myself at all.  4.5/5  chills.  Highly recommended

The idea of a house like this existing lingers on, afterward for me.  Could it happen?  And would you be able to go into one and withstand it, if it did exist?

The Shining  - Stephen King.  The Shining is one of my all-time favourite books.  I love this story with a passion,  of little Danny Torrance and the horrors he endures at Overlook Hotel.  I just finished re-reading it last week, and I was surprised by a few things:  just how good a novel this is:  the characters are fabulous and the exploration of the marriage between Jack and Wendy is perfect; the horrors that Danny goes through are completely believable and chilling each and every time I read them, and

I have found that I have forgotten some of the novel, so when I read the scene of Danny in the cement tube, I swear I got goosebumps as he tries to dig himself out and something is crawling after him to grab him.  Just writing about it makes me chilled!  I'd forgotten about the basement, and I'd forgotten about how much of the hedges are scary.  I did also forget that the two little girls from the Jack Nicholson movie, are not in the book.  That movie scared the living daylights out of me,specifically the two little girls appearing at the top of the stairs - for years and years I had to turn the lights on to go up staircases.  When I got to the end of the book, I thought, the girls! where are they?  and then realized - they aren't needed, they were never part of the book. It surprised me, but didn't lessen how much I enjoyed The Shining. I had completely forgotten the last scene in the shed, and was horrified at what almost happened there.  There is as much evil haunting in The Shining as there is in Hell House, and even some of the partying/murders/people behaving terribly in the hotel as in the house.  But for me, even though I like Hell House very much, I love The Shining.  The characters in Hell House aren't quite as well rounded as in The Shining.  I don't like Jack Torrance very much, but I understand him so well.  This is Stephen King's great gift, that he can create such real characters.  They are people we know, who live next door, get on the bus with us, go grocery shopping, and have hopes and fears like we do.  Wendy Torrance is a much better character than she is in the movie.  She is much smarter (than in the movie), and we see how her family relationships shaped her for a man like Jack Torrance and why she would stay with him.  It's brilliant psychology, and makes what happens to this family so vividly real.  At the heart of The Shining is Danny Torrance, the 5 year old boy who shines like no one else.  The Shining is the gift to perceive things as they are, to psychically be aware of what has gone on before, and to come.  The second sight, precognition.  And Danny Torrance has it in spades.  In the hands of a lesser author, Danny would never be as realistically drawn.  It is difficult to write about children without making them precocious or unreal.  Indeed, in The Shining one of the doctors Jack and Wendy take Danny to, says that he is very bright, advanced for his years in his reading and verbal skills.  We do see him teaching himself to read, because his father is a writer and teacher, and Danny gets rewards as he learns to read more. It's things like this that make the book real.  This is what we would do with a precocious child who is anxious to make his father proud of him. What they don't know is that Danny wants also to be able to read a sign he keeps seeing in his visions: redrum.  He is trying to find a way to stop what is going to happen, although he can't because it's him the hotel wants, his shining gift that makes the hotel become stronger.  And he is 5, and so is still at the mercy of everything around him, including his parents' dysfunction and weaknesses.  So what shouldn't work, a 5 year old hero at the heart of a ghost story, works wonderfully well here. Danny is so brave, and doesn't know how to stop what is happening to his father.  That is some of the horror at work here, this wonderfully drawn little family, and the helplessness with which they watch one fall to his ruin, and cannot do a thing to stop it because he can't, or won't, do it himself.

 Wendy knows that Danny knows things, though it is only at The Overlook Hotel that she realizes how much he can see what is going to happen.  They work on each other, Danny and the hotel, and this is a fascinating idea, that a person with a psychic gift can influence a site to become stronger in its' hauntings or presence or influence. 

Fabulous horror book, good haunting scenes, eerie moments, frightening ghosts - one of the best ghost stories, ever.  Chills abound, 5/5 

Other reviews of The Shining:
Kelly at The Well-Read Redhead
The Book Smugglers
Wendy at Musings of a Literary Feline



 The Greatcoat - Helen Dunmore.    Set in 1952 Yorkshire, The Greatcoat is about a young woman,  Isabel Carey, who has just started out on married life as the wife of a young doctor.  She finds a RAF great coat in the wardrobe and draws it around her because she can't get warm in the cold flat she and her husband are renting. Isabel is not self-assured,  due to many losses from the war in her own life, and it is this lack of foundation in herself that leaves her open to being worked on by the wishes of others.  She becomes haunted by a young pilot, from the Second World War.  Who is he?  And who is it that he thinks she is?  This is not a simple little ghost story, it is a disturbing, thoughtful and eerie one.  Why does no one see Isabel when she sets out to the  airfield out of town with the pilot?  Why does he know her as someone else?  Whose memories are she getting?  When near the end, she faces a choice: to be herself, or let someone take her over, is the haunting truly over when she makes her choice? Can it be?  Or does after one feels the imprint of another time and another person's memories, do they truly go away?  Is Isabel  more vulnerable because she feels as if she is on the outside looking in, as she says, not feeling real in her own life? 

It is also a lovely ghost story, filled with little moments of Isabel learning about herself and who she wants to be, and her husband's view of her and their life together, and some of the memories of the ghost haunting her.  But it's not that simple, and it becomes dangerous to Isabel at the end.  I liked the setting of Yorkshire, and the empty abandoned airfields, with all the losses of the war still hanging over everyone as they try to move on.  What happens to those who didn't come back, who were cut short at age 18, 20, 22?  Where do everyone's desires go?  When you are young and vulnerable, and someone really really wants something, what happens?  There is a lot going on in this slender novel, and it is very enjoyable read.  I really liked it. This is not a scary story, there are no real chills or jumps, but it is eerie, and disturbing.  Ghosts aren't supposed to be comfortable to be around, they are of a time and place - a person - no longer here. I liked how the haunting was done, and why.  Although I wasn't sure if I would like Isabel, I did end up caring about her in the end.  I'm pretty sure I will carry the last image around with me for a while to come.  It's a very good ghost story, and highly recommended.  4/5 chills

Other reviews of The Greatcoat:
Eva at A Striped Armchair
Bride of the Book God
Bluestalking


Please let me know if you have reviewed any of these, and I will add them to the post.

Now, for Doctor Sleep! 

Saturday, 21 September 2013

An interview with Stephen King, and some thoughts on The Shining

I"m in the middle of reading The Shining today.  It was a lovely dark and rainy day, perfect to catch-up on one of my favourite horror novels.  For some reason I forget how well-written King's novels are - he does description mixed with unsettling overtones very well.  In one of my few times away from the book today, I found this interview with King today over at the Guardian Online.  There are a few plot points given away, but if you are skilled at skimming as I think many of us are (so we don't get to spoil books we haven't read) then the interview is very good. 

Doctor Sleep in 3 days!!!!!  I've already ordered my copy from Amazon, though I did what is a silly thing - Amazon have changed their policy and if you select 'super saver no shipping costs', everything gets sent in one box.  And one of the things I ordered takes a month to come in.  So my plan to read it next weekend might not work out.......I used to be able to select that, and Amazon would send things separately anyway, which I keep hoping will happen.  

 The Shining is as good as ever.  And frightening.  Danny Torrance is one of the best 5 year old heroes in literature, and what he has to endure is horror.   Some of what makes The Shining so frightening for me is that Danny has to endure it alone, and that scares me to think about.  This is what makes the movie The Sixth Sense so scary for me too.  Psychic children who have to deal with terror on their own.  They are figures representing the terrors encountered in childhood, and how to find their way through it, except that The Shining is written for adults.  We are both Danny Torrance, encountering the unknown, and his parents, simultaneously, adults who also encounter the unknown.  And the horror in The Outlook affects adults and children.  So no one is safe.  Doesn't that creep you out just a bit?  That's fear and horror that we all feel in our deep instinctual natures, far away from logic.  The deep part of ourselves that knows that ghosts exist, remenants of the past, and badness and evil.  This has been a very bad week in so many ways, in the world, and that fear of the evil people can do to one another that as a world we are witnessing - the mass shootings in the US on Monday, and in Kenya today - is the same kind of evil that lurks in minds everywhere.  Most people are able to turn away from it, and choose love and kindness and compassion.  But something in Jack Torrance - his willingness to blame his problems on anything but himself, really - his unacknowledged desire to strike out at everyone around him - the darkness that lies where people hurt one another - that is what is at the heart of The Shining. The isolation of The Overlook Hotel exaggerates  whatever people bring with them to the hotel.  It works on their innate sense of themselves.  And then there is the Overlook Hotel itself, with the evil at the heart of it.  Places do affect people. I firmly believe that buildings, places in natures, contain memories of what happens, impressions, sort of.  But all this is to try to explain how The Overlook Hotel could be real, which is another way of saying, a haunted hotel can exist.  And that is the question that horror novels try to answer: what happens if ghosts and haunted places are real?

I do know that if I had Danny Torrance's gift, or Dick Hallorann's, I wouldn't be able to stay at the Overlook Hotel.  I know it's not a real place.  I'm thankful!!  But.....the book.  The book scares me that much, that I can't read it when I'm alone.  Delicious, creepy, haunting (certain scenes have haunted me for most of my life), frightening, as I watch the slow unravelling of Jack Torrance, his wife's inability to protect herself or see the truth until it is almost too late - though I don't blame her, she is a perfect characterization of what happens in a marriage - and Danny himself, small Danny, horror lurking in every passage and corner and wall for him. 

I so hope Doctor Sleep is as good.  It will be different, of course. Danny is grown up, and an alcoholic, reliving his father's pattern (as families do), without the anger. A small child, a little girl this time, is part of the book, again, which can only be good.  And it's all about the Shining and how it is used. I want to be scared, the way The Shining scares me, every time I read it.

Back to reading The Shining.  I'm just at the part where Jack has threatened to write the history of the Overlook Hotel and been told in no uncertain terms by his ex-alcoholic friend who sits on the board, that he will be fired if he does.  Things are about to get much, much worse for the Torrances.




Friday, 23 August 2013

The book I am most waiting for this fall is......

   I am so excited.  I am starting to count down the days!  Needless to say, I'm getting this in hardcover the day it comes out.  What's that, you say?  Susan, you don't like hard covers, you can't carry them?  That's true.  But this book I plan on staying in and reading all that weekend.  I'm not going anywhere, dear readers.  The book I am talking about is, of course:
                             

The new horror book from Stephen King.  Doctor Sleep carries on the story of Danny Torrance from The Shining.  The Shining is one of my all-time favourite novels, and is due for a reread, which is so handy considering the sequel is just about to come out!.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!  I AM SO EXCITED!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Reading slump or no (see my  post  from yesterday), at least I'll have The Shining and Doctor Sleep read in September.  The hard part is waiting for RIP to officially start, so I can count it as one of my RIP books.  And Doctor Sleep.  I can hardly wait!!!!!  What happened when Danny grew up???????????

To get you (and me) into the mood for RIP, here is a link to an Entertainment Weekly interview with Stephen King from last winter, about how he came to write Doctor Sleep.

One month from tomorrow, my Gentle Readers! Doctor Sleep is out!!!!!!!!!!!!!!!!!

Monday, 30 April 2012

Ghosts and Fringe

Here is such a cool post:  Neil Gaiman interviews Stephen King.  It was for the UK's Sunday Time Magazine, but because the paper is locked, Neil kindly posted the full interview on his blog.  How could anything be better than two of the favourite writers of our generation sitting down to talk writing, fame, and family?  I have to read Stephen's new book 11/22/63, which is coming out in paperback on July 5. 

Here are some reviews from bloggers so far on 22/1163:
Caribousmom
Becky's Book Reviews
Book Den
Rhapsody in Books
Bibliophile By the Sea

Continuing the theme of horror:
Ghosts......Emily over at Telecommuter Talk has a lovely post on the kind of ghost she likes to find in stories she reads. It got me to thinking, because I loved Caspar because he was a friendly ghost and Emily didn't, about the nature of ghosts and what we want in our ghost stories.   I write ghost stories too (like Emily),  as well as read them voraciously.  So, what she wants to know is, do you like your ghosts malevolent, or friendly?  Let Emily know.....For myself, I love a ghost story.  The scarier the ghost, the creepier the setting, the better the chill and the goose-flesh feeling.  It's very difficult to write a good ghost story, and while Emily quotes MR James (I am in the midst of reading a collection of his ghost stories), I myself think The Haunting of Hill House (by Shirley Jackson), The Shining (Stephen King), and The Woman in Black (Susan Hill) are three of the most frightening novels featuring ghosts ever written. They each came close to inducing a real state of fear in me, so much so that I had to keep checking that the doors were locked and no one could get in.  Stephen, in the interview above, talks about writing a sequel to The Shining, called Dr Sleep.  Danny Torrance, all grown up, and still with the shining.   Let me tell you, I don't care if it's in hardcover and weighs 20 pounds, I will find some way to buy it the day it comes out and get it home, and lock myself in my house to get it read uninterrupted. Then there's Joyland, about a serial killer in an amusement park. That one is creepy just to think about!  Oh, I can hardly wait!  So I have to say Emily is right:  malevolent ghosts make the best horror stories. 

I do have to say that I love sad ghost stories too.  I think I just love ghost stories, period.  If you like ghost stories, is there a kind that you prefer? Victorian?  Modern?  Angry ghosts, vengeful ghosts, sad ghosts?  How about haunted things?

Some recent books featuring ghosts that I really enjoyed are:
The Secrets of Pain - Phil Rickman (Oh, I haven't reviewed this one yet, bad me, this was so good and eerie and one of the best sense of being haunted books I have read recently)
Maureen Johnston's The Name of the Star (this was particularly frightening and riveting, I loved it, still have to review it)
Dark Matter - Michelle Paver - this was terrifying and fabulous and yet another to review.  Go read it if you haven't.
Anya's Ghost - Vera Brosgol  (graphic novel, the ghost is not who you expect, very good)
The Ghosts of Belfast - Stuart Neville - modern thriller with an ex-soldier of the IRA haunted by the ghosts of the people he killed.  It was much more moving than I would ever expect.
Uncle Montague's Tales of Terror - Chris Priestly  Oh yes, this was another good novel of ghosts and hauntings and shadows that move......
Tamsin - Peter S Beagle- that judge!!!!  talk about malevolent!  a wonderful ghost story

There is something vulnerable that I think ghosts make us feel.  They penetrate our fears and reveal that death does exist.  I don't like when madness is linked to horror, as if the mind has to break down before it can see the other side, or see things here that a normal mind can't see.  It makes me wonder who is making the rules up, who has decided that ghosts don't really exist?  And why is it more sane to not see them?  less scary, yes, but isn't it the scariest when the person is sane, and see ghosts?  I think so.

What are some of your favourite ghost stories?  Let me know, and Emily, please.

And now for something completely different:
Fringe is renewed!  Yaaaay!  For 13 episodes only, though it does let the writers wrap up my favourite show on tv.  Friday's episode saw a tear or two when they had to close the bridge to the other world.  I am constantly amazed and surprised by Fringe, even after 4 years, even when I think the episode is slow, or the story is familiar, there is all the delights of watching variations of our characters in other worlds, and how they are different.


Monday, 13 September 2010

Interesting book links and my Top 10 Ghost Stories

In keeping with the current theme of all things dark and scary, here are two things that I found today that I really liked:

- if you're looking for a ghost story treasury to read, possibly one for a 8 years or up child also, this one sounds so good that I might get it for our spooky night stories:  from Bookslut:  Stories to Tell in the Dark post.

- I was looking for a listing of the Byrant and May mystery series to make sure I had bought the right one next in line, and came across Christopher Fowler's wonderful blog.  Filled with writing tips, publishing stories, all kinds of cool things, including this wonderful photograph that is just a little bizarre and oh so cool and very in keeping with RIP themes..  Very Dickensian too, and now I'm longing to go see London again. 

When did it become a stigma to read?
Yesterday, Chris at Book-a-rama had this lovely rant post about an article that appeared in the NY Times in August about people who read books.  I can see why she ranted.  Reading it, I am incensed too. What do you mean, there is a stigma against reading alone in public?  I am left shaking my head at this one.  If there is social stigma against reading a book, I'm not aware of it.  Since reading is intrinsically a pleasure for the self, it is of course going to be done alone.  I do know we have the 'book nerd' thing attached - at least I have.  But I lost any care about that long ago.  I didn't know I had a social stigma against me for reading.  I feel kind of cool anyway.  In my little corner of the world, books are cool and interesting, and best of all, I can take a book almost anywhere and open it up and read.  Plus, I've had people approach me and ask about the book, and go away to find a copy for themselves. Personally, I think talking on cell phones in public is far more intrusive, invasive, and socially unacceptable.  I'm quiet when I read, whereas you, young woman with your phone on your ear today on the bus talking incessantly beside me to someone -and really, if she drew a breath in ten minutes I didn't hear it - oh yes, give me a book any time.  If there's a stigma against reading alone in public (and is this an oxymoron too?), then there should be a taboo against talking loudly and in public on your cell phone in spaces where people can't get away from you.

If you're still looking for some horror books to read for Carl's RIP V challenge, then  here is a top 10 list from Charlie Higson over at Guardian Unlimited.  I agree with some of his choices, and I think I'm one of the few people to have read Daphne Du Maurier's Don't Look Now, as well as seen the movie, and they both scare me very much.  I would have put The Haunting of Hill House by Shirley Jackson, and The Woman in Black by Susan Hill on the list. So.......this made me think:  what are my current top 10 of horror books?


Susan's Top 10 Horror Ghost stories books

1. The Haunting of Hill House - Shirley Jackson - my all time personal favourite ghost story.  Whatever walks at Hill House, walks alone.  Just writing those words makes goosebumps appear on me.
2. The Shining - Stephen King - I still hold this up as the best of his, although Duma Key is a very close second.  I might have to read them both again and compare........
3. The Terror - Dan Simmons - my book of the year two years ago.  Scared me, and still does. 
4. The Night Country - Stewart O'Nan - haunting and sad and beautiful.
5. Tamsin - Peter S. Beagle - my favourite ghost story featuring a ghost cat and ghost girl. 
6. The Prayer of the Night Shepherd - Phil Rickman (I swear, there are a couple of scenes in this book where I could feel the hair lifting on the back of my neck).  The scariest, so far, for me, in the series, just because that sense of the ghost was so authentic, and frightening for Merrily and for me.  Every book has eerie moments though, and is filled with a delicious sense of haunting and atmoshere.  Plus there is the ghost of Lucy. 
7. Swan Song - Robert R McCammon - still the best of the end of the world books, with evil stalking a lovely little girl, and the heroes who stand guard over her.  Due for a re-read
8. The Bone Doll's Twin series - Lyn Flewelling - it's not often a fantasy series uses a ghost so believably, and to such good purpose. Very dark fantasy and very very good.
9. The Uncanny - Andrew Klavan - gothic ghost horror story that is very good.
10. The Harrowing - Alexandra Sokoloff - classic ghost story setting: five young people, alone for the holidays in a university campus, and an ouija board.  What could go wrong?

 I can't remember if Swan Song has a ghost or not, though it's still one of the scariest books because it's so real, so possible, and the evil - yes, I dare you to read it, dear Gentle Reader, and tell me if you don't have a nightmare or two. 

So, have you read any of these? Do you agree with my list?  Do you have your own list?