Showing posts with label Canadian Book Challenge. Show all posts
Showing posts with label Canadian Book Challenge. Show all posts

Monday, 30 June 2008

Still Life by Louise Penny



This is the first in a new Canadian mystery series, and a first novel by the author. She was the winner for the CWA New Blood Dagger (ie new writer) for Crime Fiction 2006. So I was very curious about how good it was, that it got noticed in England. And, this is a satisfying mystery. I love the setting, the fictional Three Pines - set in the Laurentians, a area west of Montreal that is filled with rounded hills and tiny villages hidden in them, and lots of pine trees (among others). I've been there, long ago, and I fell in love with it. It is beautiful rural Quebec. (In Canada, every province is different, so rural PEI where Anne of Green Gables is set is quite different from Quebec, both of which bear no resemblence to rural areas in say, British Columbia or Manitoba. Part of the uniqueness of Canada, I think.) The main detective is Chief Inspector Armand Gamache of the Surete de Quebec (the provincial police), and he is one of the best detectives creations I've read in a long time.
'So, what are you telling me,Chief Inspector? From now on you'll only arrest people if you're guaranteed a conviction? You've arrested people before who turned out not to have committed the crime. Just last year, remember the Gagne case? You arrested the uncle, but it turned out the nephew had done it?'
'True, I was wrong. But I believed the uncle had done it. That was a mistake. This is different. This would be deliberately arresting someone I believe did not commit the crime. I can't do it.'
Brebeuf sighed. He'd known from the first minute of this conversation that Gamache wouldn't change his mind. But he had to try. Really, a most annoying m
an.'

This is an intelligent mystery, with well-rounded characters and believable motive. It is billed as an Agatha Christie Miss Marple-like mystery 'that perfect village touched by death', as the Toronto Globe and Mail gives in a blurb on the back. I just like the perfect village part, because part of the delight of this mystery is the very Canadianess of it. Three Pines is the quintessential village in the heart of the countryside west of Montreal,made up of old English and old French families that settled long ago in the area. I enjoyed this mystery and Inspector Gamache so much that I was looking for the second book, Dead Cold, but it wasn't in. Very good, highly recommended, especially for those who want a taste of Canada.

I read this for the Canadian Book Challenge, which is set to end tonight. I am halfway through the last book - Piece of my Heart by Peter Robinson - I will get to for the challenge, which means I"m not going to finish the challenge, alas. But I will get Piece of My Heart done! Tonight! This also catches me up on my book reviews, so I think that's Weekly Geeks # 8 or 9 finished, hurrah!!!!

Monday, 12 May 2008

Weekly Geeks #3 and Emily of New Moon


Dewey has put as this week's challenge, that we write about our fond memories of our childhood books. I will do a longer post about my favourites while growing up, but for today, I thought I'd combine a post about one of my favourite books as a child with a review of it for the Canadian Book Challenge.
Emily of New Moon is by Lucy Maud Montgomery, one of the most famous Canadian authors we have ever produced. The Emily books consist of three books: Emily of New Moon, Emily Climbs, and Emily's Quest. They cover her ages from 10 to around 18 (I think. I don't have a copy of Emily's Quest on hand to check. But she is able to support herself at the end of the books!) While Emily Starr and LM Montgomery's more famous character Anne Shirley of Green Gables share flights of fancy, strong characterization, and wonderful settings, where they differ is that Emily knows from almost the beginning that she is going to be a writer. I loved Anne, but just as much I loved Emily Starr and her books. Emily was the first character I met, as a child, who knew they were going to be a writer when they grew up. Harriet the Spy was a spy (even though she wrote), and everyone else I read were either going to be nurses or teachers. Emily had to write, and part of the delight of her books is seeing her developing writing skill - we get to read her childish poetry, her first letters to her dead father, her growing sense of how to use words to capture the magic of the landscape around her.

As always, the book is set in PEI, but nearer the water - Blair Water is the nearest village, and New Moon is the name of the family farm that Emily comes to live at, after her parents die. She lives with her middle-aged single aunts, Elizabeth and Laura, and Cousin Jimmy (who is really her uncle), who had an accident as a child and is considered 'simple' as a result. Emily of New Moon is about Emily and her relatives getting to know one another, much as Anne and Marilla and Matthew in Anne of Green Gables spend the first book getting to know each other as well. At the end of Emily of New Moon, like Anne of GG, Emily knows she is going to stay - she and Aunt Elizabeth have reached a kind of understanding of each other, and recognize the importance of the other in their lives. Again, much like Anne and Marilla. But there the similarity really ends. While both are series of children, Anne is in love with the world around her, and the books are about her adventures as she grows up. Emily is focused on writing early, and so what we see is PEI through the eyes of writer. This means Emily wonders from an early age about why people are the way they are, and she has an eye for seeing the truth of people that comes out delightfully in her descriptions that she either thinks to herself, or writes. There is the requisite best friend - in this book, Ilse is the neglected one and nearly as magnetic in personality as Emily, unlike the slightly wimpy and so sweet Diana of Green Gables, and early on the boys show a definite liking for Emily. She is magnetic, and affects everyone around her, and they react to her just as strongly. This is a fascinating study of people, and I never tire of Montgomery's amazing ability to capture a person with just a few words. In this book also, Emily and her friends are going to be someone when they grow up - Emily a writer, Teddy a painter, Ilse a speaker, and Perry the premier of the province. It is fun to see these dynamic characters become friends, and how they relate to one another as they grow up.

Emily is a character who her father says 'loves deeply' and feels things passionately, which gives the novel its momentum and makes the book almost unputdownable. In fact, I know have to go and buy the next two in the series so I can finish it soon! Emily has a temper also, and this lands her in trouble. The difference is that Anne tries to be good, whereas Emily tries to be right. Daily life is described in detail on the New Moon farm. One interesting thing I discovered, was that my reading earlier this year of The Settler's Handbook by Catherine Parr Traill, gave me the knowledge to see New Moon clearly for the first time - Aunt Elizabeth is old-fashioned, so as Jimmy says when they arrive, the farm is farmed '50 years back', which sets it around 1850-1860. There was the dairy room, where the milk was skimmed and cream lifted, there was the larder, the cook room set away from the main kitchen. It was fascinating to read about the ice house, and to be able to understand that Montgomery was writing about a real farm, as it was in Canada at that time period. And, I imagined the scene Emily describes, as something I would have found at my own great-great-grandparents farm in southern Ontario!

This book is sweet and funny, and terribly moving. I don't know what it is about L.M. Montgomery's writing, but she can make me cry and laugh in almost the same moment. Imagine my horror when last week, reading Emily of New Moon on the bus, I found myself crying as her father dies!!! And I was very glad that I read the last part of the book at home, in which Emily nearly dies and solves a long-standing mystery in an uncanny way of her own. I wept and wondered that I, 44 years old, could cry over a children's book that I know almost by heart! But that is the beauty and wonder of Lucy Maud Montgomery's writing, for me.

If you haven't read about Emily of New Moon yet, then I highly recommend this book. I love it as much now as I did as a child. And yes, I'm still trying to be a writer! So in its quiet way, this book is encouragement for anyone who has a dream.

Tuesday, 6 May 2008

A History of Reading



Why do we read? This question went around in a meme not too long ago, and I didn't answer it then, because I didn't get around to it. I liked one answer (and I'm sorry, I can't remember who wrote it), when she said she read like she breathed. There was no reason why, or there are so many reasons why, there is simply, and wholly, reading because there are books. I read because I can, because I am fortuante enough to have an education that enables me to, and because, like the unknown blog writer said, I read like I breathe. A History of Reading is about this feeling we who read books all share - we read because we can, because books are there, because it gives us knowledge and a way to see the world through other experiences, because - I think - we each essentially experience the world only through our own eyes and experiences. Books are a way to bridge that gap.

A History of Reading by Alberto Manguel covers why we read, the - a - history of reading, from the development of writing on stone tablets in Sumaria, straight up to the computer. He doesn't mention 'kindle' because this book was written in 1998, and kindle is a 21st century invention. If he ever revises A History, I'm certain kindle will have a section! I've wanted to read this book for 10 years, since it first was published. It was a bestseller when it was first published, and we sold so many at the bookstore I then worked at, Books Canada (now sadly closed), that we couldn't keep it in stock. I now know why. This book is necessary for book readers like water is for breathing. It traces the history and development of books and people's attitudes to books from the very origins of Sumerian writing on clay tablets, to current thoughts by Oscar Wilde, Virginia Woolfe, Kafka, Carolyn Heilbrun. This books covers everything to do with books, from Socrates, Plato, to the Bible, to the Japanese pillow book and Chinese literature, Nigerian reading aids, scrolls, vellum, and then paper. There is a chapter on reading glasses - only 7% of the population needs glasses, but this rises to 24% for people who read books!! No wonder the image of books readers as wearing glasses came about! But, this is not a dry, dreary text of facts. Manguel writes in a fluid manner, beginning each chapter at the beginning of whichever subject he is covering, and then moving through time, always ending in the present. Some chapter headings are: Learning to Read, The Shape of the Book, Private Reading, Metaphors of Reading, The Symbolic Reader, Stealing Books, Forbidden Reading, The Book Fool. It is about the joy of reading, the power conferred by being able to make sense of letters on the page, about the wisdom contained in those words, and how it affects us the readers, and thus the world. When you see someone reading a book you have read, what is your first impulse? Here is Manguel's: "Sitting across from me in the subway in Toronto, a woman is reading the Penguin edition of Borges's Labyrinths. I want to call out to her, to wave a hand and signal that I too am of that faith. She, whose face I have forgotten, whose clothes I barely noticed, young or old I can't say, is closer to me, by the mere act of holding that particular book in her hands, than many others I see daily." How many times have you seen someone reading a book, a stranger, and longed to go talk to them about it? I know I have, many times, and have to practically restrain myself if they happen to be reading a book I love. That sense of kinship is what A History of Reading is all about. This is a book about the love of books.

However, Manguel says this is not the definitive history of reading. This is his version, one version, a history as he has discovered it. There is room for other histories, other versions, and indeed this is part of the pleasure of this book - he layers textures of meanings, building a picture of a reader, who not only reads the book in his or her hand, but all the books that went before, all the way to the first time mankind discovered that by marking a clay tablet, they could make someone else who was not there, understand what they meant on the page. Every chapter builds on this idea, and all his arguments complete this fascinating idea. I have really enjoyed reading about and thinking about Manguel's book ideas and presentation of book history. We have books now because of what Plato argued about them, what Socrates thought, because of the Christian Church, because of Moslems, because of the monks endlessy transcribing for centuries, because women's literature has always been specifically about romance. Whether developed in Japan or in France or England and centuries apart, women's knowledge of the world has been for the most part limited to romance, relationships, the home- by men the world over, but that is another argument for another time! What interests me are the women who did learn to read anyway - Julian of Norwich, Saint Theresa - women became mystics because that was the only other area left open for them to explore, constrained as they were by politics. The human spirit wants expressing, and words are one powerful way of expression. Women the world over wanted to read, wrote their own books - this is how pillow books in 16th century Japan developed - because they weren't allowed to read any others. That desire to write, and the desire to read what has been written - that is what this book is about. The Negros in the American South were banned from reading, from even learning how to spell, because books led to thinking, and thinking led to freedom, in the white slavers minds. Still, many risked their lives to learn, and teach others secretly. A History of Reading is about this passion that made people risk their lives the world over, time and time again, to learn how to read, so they could write and reach out to others, what Manguel calls 'the shadowy others' that is the reader, vague until the book is picked up and read. You are that reader, I am that reader. 100 years from now, our great-grandchildren will be that reader. To have our voices heard is a powerful motivator. To not be silenced. That is why lives have been risked, and always will be, for the sake of reading and writing.

How have humans written? How was it received? What does the reader do by reading it? We 'devour books, eat them ravenously, are nourished by them, feast our mind' on them. We try to make the book ours. What is important is what comes out of this, Manguel writes: "However readers make a book theirs, the end is that book and reader become one. The world that is a book is devoured by a reader who is a letter in the world's text; thus a circular metaphor is created for the endlessness of reading. We are what we read. The process by which the circle is completed is not, {Walt} Whitman argued, merely an intellectual one; we read intellectually, on a superficial level, grasping certain meanings and conscious of certain facts, but at the same time, invisibly, unconsciously, text and reader become intertwined, creating new levels of meaning, so that every time we cause the text to yield something by ingesting it, simultaneously something else is born beneath it that we haven't yet grasped. That is why - as Whitman believed, rewriting and re-editing his poems over and over - no reading can ever be definitive." (p 173) So, this book is not definitive either - I have my own ideas about reading and books that have been altered by reading this book, and that every other reader of it has done too. That, I think, is part of the allure and fascination of books, and sometimes we find we can't go back to the same book we read once along ago. Because we have changed, so our reading of the book has changed, because the book changed already. Like the never-ending circle, the snake Orobouros that devours the world, we write the books we need to read, and by reading them, we change the books again. It also raises a very interesting idea, that I know I have hinted at in my blog, without knowing it was what I was saying, until I read it in this book:
"We never return to the same book or even to the same page, because in the varying light we change and the book changes, and our memories grow bright and dim and bright again, and we never know exactly what it is we learn and forget, and what it is we remember. What is certain is that the act of reading, which rescues so many voices from the past, preserves them sometimes well into the future, where we may be able to make use of them in brave and unexpected ways." (p 64)

I like that idea, that we use the knowledge we find in books. I think we do. Even if the most a book can do is get us to think, to recognize the power of our own ideas and that our actions matter, that is the most important fact about them, and why they have been censored and banned from almost the very first tablet. In books where the writer writes the truth, touches on it - and this is just as easily in a book of fiction as well as non-fiction - the book can bring a light of awareness to the reader, so they are changed by reading it. That hunger to know, to be made aware - even if it is of fairies and beauty, or as quiet as love, or as thundering as human rights - I think mankind wants to know the truth of this world we find ourselves in. Books - and A History of Reading explores - how we have grown in our ability to share ideas, thoughts, feelings, history, experience, with each other through the medium of the word. We discern the writer's ideas through what we bring to the reading. This is what he means by we change and how we read changes, so going back is never the same. We change, and can change the world, because of what we read. By the way, I am not going to discuss the next line of thought - the conclusion to where I'd normally be heading, banning books, because I am saving that post for when I finish my Banned Book challenge reading in June. However, do go see my next post on Fahrenheit 451, because I can't write a review of that book without talking about banning, and I'm all 'fired' up - Pun intented!!!- after reading this powerful science fiction novel. The power of books, indeed.

I recommend A History of Reading - which mentions Fahrenheit 451, by the way! - so highly. It really is worth reading, just so we can say, this is how books, which I love so much, developed. This is how we thought about them this long ago, and why, and who was allowed to read, and who is allowed to read now. So that, when you next pick up your paperback you are reading, part of you will remember that it developed in its final cheap shape in 1935 when Allan Lane brought out the first Penguin books because he wanted "a line of cheap but good-sized pocket books....They would publish a series of brightly-coloured paperback reprints of the best authors. They would not merely appeal to the common reader; they would tempt everyone who could read, highbrows and lowbrows alike." I like this quote because he got the idea while looking for something to read at the train station after spending a weekend at Agatha Christie's, and he was able to use one of her books - The Mysterious Affair at Styles - among the first 10 published on July 30, 1935, for 6 pence a book. A History of Reading covers many topics about reading, of which I've given you only a sampling, because it is literary feast of authors, from the beginning of time to current day. It's like going on a picnic and discovering a banquet of writers and ideas and words all on books, my passion. It is wonderful discovering (as indeed these blogs do now) that there have always existed people for whom books were their life-long passion. We owe alot -everything - to the printers, scribes, bookbinders, publishers, and further back poets and orators, who kept writing down their words and transcribing them for others to read. Where they went, I can follow. And across the lonely centuries, I can hear the thoughts, the whispers of another, and know that my soul was not the only one enchanted by the stars, or dying for love, or championing the poor. If we read to find ourselves, as indeed many have thought, then we read to find out everything about ourselves, the glorious as well as the dark, and books hold all this, each and every book in existence today. That is the power of the book.

Why do we keep books? Why do we go back to them if we change, and our reading of them changes? What is our enduring fascination with them? I think it's because we think we can still find something in them. And, as I discussed in an earlier meme, we see our history, our lives, our book-reading lives, before us, through the books on our shelves. Manguel writes of much the same thing in his chapter called "Book Stealing": I am once again about to move house......As I build pile after pile of familiar volumes I wonder, as I have wondered every other time, why I keep so many books that I know I will not read again. I tell myself that, every time I get rid of a book, I find a few days later that this is precisely the book I'm looking for. I tell myself there are no books (or very, very few) in which I have found nothing at all to interest me. I tell myself that I brought them into my house for a reason in the first place, and that this reason may hold good again in the future......I enjoy the sight of my crowded bookshelves, full of more or less familiar names. I delight in knowing that I'm surrounded by a sort of inventory of my life, with intimations of my future......I could, if I had to, abandon all these books of mine and begin again, somewhere else; I have done so, several times, out of necessity. But then I also have to acknowledge a grave, irreparable loss. I know that something dies when I give up my books, and that my memory keeps going back to them with mournful nostalgia." (p238.) I have to admit that i have used every one of these excuses myself!! And that mournful nostalgia is what prompted me to write that post about books I've loved and lost. And I do really think that looking at our bookshelves, we get a sense of who we are, who we were, who we want to be. The loneliest house, the emptiest house, the house where I always thought I would end up without much to say, is the house without books.

I have bookmarked this book again, and I know I will return to it again. It is written in an engaging, open, friendly style, like a long discussion of books at a dinner table. Wouldn't you like to sit at that table? Hmmm, now I'm desiging a room for writers and publishers and readers in my mind!, a huge room where anything can be read and discussed. That is what a book is, for me. A History of Reading has brought together a wide range of writers and readers - because one can't exist without the other, a point Manguel makes over and over again in the book! - over the centuries, a digestible feast of book history that makes me want to run out and look at old books in second-book stores just to see what the oldest book they have is, and buy it and treasure it just for what it represents: two hundred years ago this book was made, and has been kept alive through readers, up until now, when I hold this book in my hand. I may not agree with what the author says, but at least I can argue with him, and thus his ideas are brought forward again for the future. Or hers...that is the wonder of books, for me. Time exists, but becomes timeless because of books. Or, if not timeless, is made less far away, less impenetrable.

Although this is a long review, I want to end with a quote from A History of Reading, because I think it encapsulates it all:
' "I have sometimes dreamt" {Virginia Woolf} wrote, "that when the Day of Judgement dawns and the great conquerors and lawyers and statesmen come to receive their rewards - their crowns, their laurels, their names carved indelibly upon imperishable marble - the Almighty will turn to Peter and will say, not without a certain envy when He sees us coming with our books under our arms, 'Look, these need no reward. We have nothing to give them. They have loved reading.' " (p 312)

Monday, 15 October 2007

Canadian Book challenge list posted

I did it! I got 13 books chosen for the Canadian Book Challenge, running from now until July 1 2008.

  1. CANADIAN BOOK CHALLENGE Oct 2007 – July 1 2008 (13 books)

- the Penelopiad – Margaret Atwood

- Widdershins – Charles de Lint *

- A Touch of Panic – L.R. Wright

- Emily of New Moon – L.M. Montgomery*

- The Canadian Settler's Guide – Catherine Parr Traill *

- The Writing Life – ed Constance Rooke

- Northern Frights 2 – ed Don Hutchison *

- Bitten – Kelley Armstrong

- Life of Pi – Yann Martel

- A History of Reading – Alberto Manguel

- Still Life – Louise Penny *


- Piece of My Heart – Peter Robinson *

- The End of Elsewhere – Taras Grescoe *

I've been really good, only one book is a reread - Emily of New Moon - the rest are new books to read! I'm actually excited about this list, and with Canadian books it can be hit or miss. Much of Canlit I don't like - my mother read Miriam Toews 'An Complicated Kindness" which she said 'finished like a typical Canadian book'. I have yet to read it, and would have put it on my list but my sister-in-law Kim currently has the book. Most of the authors I have here I love - Charles de Lint is one of my favourited fantasy writers, Margaret Atwood was my adolescent introduction to adult Canadian fiction when I read 'The Edible Woman' while on summer vacation at a cottage, but I don't like all her writing. I love LMM Montgomery and would have put Anne of Green Gables on the list only i discovered I don't own it!!!! Yikes, one of my all-time favourite children's book growing up......I have the other two - Anne of Avonlea and Anne of the Island - in the original covers that I discovered the series in, so I want Anne of GG in that series, and I guess I haven't found a good enough copy yet. It is a good feeling to know that I had to leave some books off the list! Ysabel by Guy Gavriel Kay, and his Sailing to Sarantium series (I read book one, haven't read book 2 yet).

Of the ones I've chosen, Louise Penny is getting good reviews for her mystery series, of which Still Life is the first one.

I forgot Giles Blount!!!! My mother is buying the latest one for me for Christmas!!! Uh oh, there may be some tinkering with this list, and the 888 challenge, then, since I love Giles Blount! If you haven't read 40 Words for Sorrow (the first one in the series), then I highly, highly recommend it. Wonderful series set in a fictional town in northwestern Ontario.

Dragon Charmer by Jan Siegel.......the Benny Cooperman mysteries.......there were lots more that I would have liked to put on my list. No Logo by Naomie Klein, which I really want to read, but don't own yet, and until my LSS gets a new contract, I can't add too many books I have to buy. There's always the library, but I confess I like to own books. It's one of my few vices, but as my sister Patricia can say, you can get me into a bookstore, but you can't get me out of one!!!! My eldest son used to cry as soon as we crossed the threshold of one, when he was a baby.

So, as dinner calls - our two year old - wants ketchup with his spaghetti! yecch! - I hope you find some new Canadian authors to read from my list. Happy reading!!